~7000 words
A substitute teacher and his underemployed girlfriend house-sit at a lakefront mansion.
A substitute teacher and his underemployed girlfriend house-sit at a lakefront mansion.
The
first-person narrative begins with the main character, Keith, and his
girlfriend Nora living in a summer rental described as "a converted chicken coop from a time long gone." Despite the
squalid conditions, when the lease runs out they have nowhere else to go and
remain on the premises as squatters until a friend puts them in touch with a
wealthy couple looking for house sitters at an exclusive lake called
Birnam Wood. After moving in to the new place Nora lands a part-time job as a bartender, which leads
to the introduction of a new character, Steve, who shows up at the house
one evening with a poem he has written for Nora. Keith storms out and ends
up walking across the frozen lake and spying on a couple in a house on the
other side.
An intriguing feature of this story is the way
in which the narrator withholds more than the customary amount of information.
When does the story take place? We know only that it is some point after 1969 (the publication date of Slaughterhouse Five, which Keith and Steve discuss on one occasion), "when
people our age wore beads and serapes and cowboy boots and grew their hair long
for the express purpose of sticking it to the bourgeoisie." What is the history of the relationship
between Keith and Nora? We know only that he "sent her a steady stream of
wheedling letters begging her to come back." Why are they so
desperate for cash? We know only that neither of them much like their jobs.
Where is Birnam Wood? We know only that it's somewhere with lakes that freeze
solid enough for a man to walk across. What happens between Nora and Steve?
That is left completely up for grabs, for the story ends before Keith returns
home.
This is a puzzling and ultimately uneven story. The plot is quirky and interesting, but its meandering nature (first the chicken coop, then Birnam
Wood, then Steve, then the odd ending) combined with the obliqueness of the
background information produces an unsettling—though not necessarily undesirable—effect. The language is generally
good, but the narrative voice comes across as strangely subdued. It's never
really clear what, exactly, is at stake for the main character. He says he wants to provide for Nora, but
the passivity of his reactions and his flaky behavior in the end would seem to betray
his words.
"Birnam Wood" is somewhere between weak and satisfactory, probably a bit closer to the latter.
Satisfactory.
Satisfactory.
Reader
poll: I found "Birnam Wood" to be ___.
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